The Maestà, or Maestà of Duccio is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna.The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets. The history behind the Guidoriccio, its meaning and iconography, have been the object of a very animated debate amongst the most authoritative art historians. Above and below the Madonna were smaller panels (predella panels) painted with images of the Life of Christ and the Virgin, along with small figures of Saints. Backstory: This painting is also known as Virgin and Child Enthroned, and Prophets and it was originally painted for the Santa Trinita Church in Florence. This altarpiece was a unique work with Medieval/Byzantine features but also one of the first works in the movement towards naturalism that would be a hallmark of the Renaissance. Meaning of the Painting. Other artistic prodigy, notable for portraying mystic love and beauty, though without leaving the thematic repertoire established by Giotto, was Fra Giovanni da Fiesole (Brother John of Fiesole), or Fra Angelico (“Angelic Friar”, ca. The Maesta Altarpiece was cut parted in the 18th century and is sold all over the world. Story-Theme. The Maesta for Siena Cathedral. tri A master in an art, especially a composer, conductor, or music teacher. Duccio, Christ Entering Jerusalem, Maesta altar, tempera on panel, 1308-11, Sienese proto-Renaissance style Giotto di Bondone Page Menu. As already stated, the sacred picture takes on a new meaning: side by side with its religious significance (publicly decreed in 1260 when the Virgin was elected supreme protectress) is the political aspect, referring to specific local events. Selected Page. Ognissanti Madonna. The Santa Trinita Maestà (Italian: Maestà di Santa Trinita) is a painting by the Italian medieval artist Cimabue dating to c. 1280-1290. In late medieval and early Renaissance art its typical form was the altar-piece in which the figures were confined in separate compartments or panels. The painting as a whole emanates a unique optimism, making the viewer feel as though he or she is viewing a scene of celebration rather than a subdued, still-life picture of religious figures. It is housed in the Uffizi Gallery of Florence central Italy. More Information. Fortunately, Duccio’s Christ Entering Jerusalem is currently located at Museo dell’Opera del Duomo, Siena, in the city it was created in. The image of the Virgin and Child framed on either side by the figures of saints is found in Christian devotional art of East and West from early times. The date 1333 appears on the frame of the Annunciation painted for Siena Cathedral: this is the last painting we know of that Simone worked on before moving to France. Analysis. The core of the Maesta - meaning, the Enthroned Madonna and Child surrounded by Saints and Angels - occupied the main panel facing the congregation. The most famous example of the Maestà is the Maestà with Twenty Angels and Nineteen Saints, an altarpiece comprising many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna.The painting was installed in the city's cathedral on June 9, 1311. In Cimabue’s painting, David is the most prominent of the figures below Mary; in contrast to the subdued colors worn by Jeremiah, Isaiah and Abraham, David wears a bright red mantle and a crown.
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