lumix s1 dynamic range

For that sub-score, it is even very slightly ahead of the highest-ranked sensor (the Hasselblad X1D-50c). In this review, we have compared the Panasonic Lumix DC-S1 to its most relevant rivals from other brands. The Panasonic S1’s 24MP full-frame CMOS sensor achieves a high overall DxOMark score of 95, which is the 12th-highest place overall among all of the cameras in our database. DXOMARK invites our readership (you) to post comments on the articles on this website. Video. I have never shot full frame in anything other than 35mm film, so I thought it had to do with the large frame limitations, like Imax film.But noise reduction is gross looking and I’d much rather have noise than weird computing going on. Cameras I’ve tried personally showing the issueSony A73 (NR -7, high ISO be off)Sony A7s2 (NR -7, high ISO be off)Fuji XT-3 (NR -4, interframe NR off)GoPro 6 and 8Panasonic GH5 (got way better with later firmware 2.0)Panasonic G85 (NR -5)Panasonic GH4 (NR -5, temporal noise reduction is off externally)Panasonic S1 (NR 0, V-LOG)Panasonic S1H (NR 0, V-LOG)Every smart phone so far. ... dual card slot, great dynamic range and high ISO performance, fully touch screen, 400,000 shutter life, great ergonomic and work with my Canon lens. I have not shot anything in DCI 4K yet but would love to hear your thoughts on that too. Certainly if you are looking for a Netflix certified camera (Full information can be found by clicking here and here). Length: 02:32 I am not sure where to start with an answer – if you want to discuss something more specifically I am happy to do so. I’m not suggesting it’s necessarily noise reduction by design. Notice that we are getting almost exactly the same result as with ISO 640! IMATEST dynamic range result Panasonic S1H 4096×2160 Full frame V-Log ISO640. ISO 640 V-Log 6K 3:2 Mode (5952×3968) and 5.9K 16:9 Mode (5888×3312) Dynamic Range Results: First positive surprise: in 6K 3:2 mode (5952×3968) and 5.9K 16:9 mode (5888×3312) the dynamic range measured by IMATEST at a signal to noise ratio (SNR) of 2 is 12.7 stops! Seems that noise reduction (speculation #2 above) is not so present here. With just one point between them in the DxOMark rankings and similar Portrait, Landscape, and Sports scores, the new Lumix DC-S1 sensor performs practically identically to its most direct competitors. The company has also revealed that the S1 will get many extra high-end video capabilities via a ‘software key’ which is free until 30 September, but will cost £179 thereafter. Dear Interceptor121, we always try to improve our engineering knowledge ;-) actually you are giving most of the answers yourself. It’s visible in the samples uploaded by Kinson Loo or even in some productions made using this camera. Gunther, I would love to see side-by-side comparison shots where you can visibly demonstrate the “it feels thin, lacks depth in a way” comments about the S1H against a camera that does not show these issues. I had a beautiful 24-105mm and 70-200mm lens with it. So, is the Panasonic S1H worth the 4000 USD versus the 2500USD Panasonic S1 (+200USD for the V-Log upgrade)? Hearsay says it’s the Sony IMX451. Combining low noise, excellent color sensitivity, and a wide dynamic range with a sufficiently high pixel count for many publishing tasks, the Panasonic Lumix S1 looks promising for a wide range of photographic genres. The 4K24/30 10 bit upgrade is amazing. It is built around the existing L-mount originally developed by Leica, which is now also supported by Sigma as part of the so-called “L-mount alliance.”. There are two important encoding parameters that affect image quality in H.265/HEVC codec, called SAO (Sample Adaptive Offset) and SIS (Strong Intra Smoothing). The 0.1 stops could be due to the low pass filter blurring some noise on the pixel level (as mentioned earlier, see speculation #3). Sorry about that…. The Canon sensor, although still a good performer, is around a stop behind, crossing the same 20-bit mark when set to ISO 1600. Sony sensors typically manage 6.2 stops. Hence our method to use the files straight out of camera, be them LOG or not. What happened with that 16 stop firmware update? I have pushed the ISO up to 12, 800 during one of my weddings and the images are super clean and the colors hold up. Without getting too tech, maybe this can be rectified somehow? Paired with a new VENUS processor, the stabilized 24MP CMOS sensor in the S1 delivers a high native ISO range up to 51,200; bursts at up to 9 fps in AFS mode; and 6 fps with continuous AF. Panasonic Lumix S1R. How does it affect the dynamic range captured by the camera? Waveform plot of the Xyla 21 step chart Panasonic S1H at 4K DCI Full frame V-Log ISO4000. Hence I hope all your worries are now finally answered and we can move on ;-), Not at all because you are using a space that is smaller than the measurement you want to make so you are destroying information in the process of normalising in a space that is too small. The cameras listed here are among the best, and provide the most number of stops of dynamic range currently available. There are other things that are useful to people like SNR and color accuracy that are easier to test perhaps you could try to include those instead of trying on DR that is almost impossible to measure in an accurate way due to the number of variables at play. All three cameras in this comparison perform well, most particularly the Panasonic and Sony, which just cross our 20-bit reference for good image quality when set to ISO 3200 (our current benchmark for this sensor size and resolution). I am taking this conversation offline now and write you an email – I will show you IMATEST DR results for one and the same camera in the original LOG format, with a LUT to rec709 applied and with gain / lift adjustments – all give exactly the same DR reading. At ISO 25,600, all three congregate around our cut-off point for acceptable image quality (14 bits). This now is a good result – but again the Panasonic S1 was better at 10.4 [ms] at 25 fps. The Panasonic Lumix S1 also performs excellently at higher sensitivities and can easily be compared with the best cameras from the competition, such as the Sony A7 III and the Nikon Z6. Furthermore, the fact that the dual gain sensor shows very similar dynamic range results (in 4K DCI) at both ISO640 and ISO4000 settings is phenomenal. With a measured dynamic range of 14.5 stops (EV) at base ISO 100, the Panasonic S1 sensor is one of the class leaders — just 0.15 EV lower than the Sony A7 III. In any case I agree that there is something strange going on with the image – see my comment above – it feels thin, lacks depth in a way and is far too clean. Reducing the color space? Looking at the various frame rates and resolutions, as well as the full frame and Super 35 modes of this camera, this turned out to be quite an endeavour. And the DCI 4K DR numbers are great too …. It also has an electronic viewfinder with a 5.76 million-dot OLED-type display, and adjustable magnification from 0.7 to 0.78x. Although it’s an excellent all-round performer, its key strength is its (Portrait) color depth, and its score of 25.2 bits is the second-best result (by just 0.1 bit) we’ve seen for a full-frame sensor at this resolution. Read on…. Even less attractive now. Also I think the pattern shown is quite clear. 6K/5.9K modes are pretty much not usable at the moment. Price: $2,500 #19 Panasonic Lumix S1R (Tied) Delivers 9.4 stops of dynamic range at ISO 1600. In short is a poor excuse sorry nobody uses log or raw as they are that is not their purpose and your measures are not useful for the same reason. Wejdź i znajdź to, czego szukasz! Could very well be that it’s the noise reduction that leads to the good result – and as you can see in my 3 speculations above I see it the same way. At the rear, the S1 has a 3.2-inch touchscreen monitor that can both tilt and flip. 12.3 stops are calculated for SNR = 2. His Panasonic S1H review and the short documentary he made as part of this review are now online and can be watched by clicking here. Combined with the Lumix S1’s incredible dynamic range, color tonality (the skin tones are magnificent), and outstanding high ISO performance, this combo has worked amazingly well for the 3 weddings I’ve shot with it so far. With its 47.3-megapixel sibling, Panasonic Lumix S1R, the Lumix S1 is Panasonic’s first foray into full-frame mirrorless photography. Cameras not affected I’ve tried:Sony FS7 (NR OFF, cine El)Eva-1 (NR OFF)Blackmagic Pocket 4KBlackmagic Pocket 6KBlackmagic URSA mini proBlackmagic Cinema CameraBlackmagic Pocket Cinema CameraRed HeliumRed GeminiRed DragonArri Alexa miniArri Amira. Also it gets worse the higher the ISO gets till ISO 3200 where noise and noise reduction are the strongest. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. In the Super 35 mode, a result of 13.9 [ms] is achieved for 4K DCI 23.98 as well as 59.94 fps. Thanks for this Gunther. In this video, I’ll show you a quick comparison of Panasonic Lumix S1 10 bit V-Log output vs normal standard profile vs GH5S 10 bit V-Log L vs Sony A7III 8 bit S-Log2. Looking at the 23.98 fps result, the Panasonic S1 was a tad better – at 25fps a value of 22 [ms] capturing UHD was measured for the S1. Broadcast safe? We are using a strobe light at 300Hz which creates a pattern of black and grey bars due to the nature of read out from top to bottom of CMOS sensors. 12 stops can be identified above the noise floor. Finally, we were able to put the Panasonic S1H to the test in our cinema5D lab. If you’re using the default settings, that’s the ISO range that’s available to shoot with. But by necessity all image compression techniques have noise reduction side effects as noise is by nature impossible to compress. Filmmaker and LUMIX Ambassador Nick Driftwood guides you through the settings for shooting in Hybrid Log Gamma (HLG) on the LUMIX S1H in order to record the wide dynamic range for displaying footage on HDR-Displays. Again, pure speculation – but is some sort of internal noise reduction happening here to help encode the image at this low H265 bitrate? Great DR, but cheated by using strong temporal noise reduction which is just horrible in the 6K/5.9K modes and still pretty strong in the 4K/UHD modes. Looking at the waveform plot of the step chart the IMATEST result is confirmed – about 13 stops above the noise floor can be identified, see the plot above. The Lumix S1 is Panasonic's answer to the popular Sony A7 III, but it has a few tricks up its sleeve. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". If this is the case then there’s no sensor mode that does 6k at 14 bit. Podczas zeszłorocznych targów Photokina Panasonic wraz z Sigmą i Leiką zapowiedziały strategiczną współpracę zawiązaną wokół mocowania L a świat ujrzały prototypy dwóch pełnoklatkowych bezlusterkowców.Aparaty dzielą ten sam korpus ale zostały opracowane z myślą o zupełnie innym odbiorcy. Let’s start with the worst scenario: the 6K 3:2 mode should have the highest rolling shutter, as all the vertical 3968 pixels from top to bottom have to be captured for each frame. Tried both the Atomos Shogun 7 and Oddysey 7q+ in the past. If you’ve got a Lumix camera you’ve probably noticed a setting in the menus called i.Dynamic. The latest firmware has resolved an issue that caused image ghosting. Read our full Privacy Policy here. 12.3 stops are calculated for SNR = 2. I don’t understand the use of compression, let alone varying compression, to do a test like this. A rolling shutter of 29.7 [ms] is measured for the Panasonic S1H in 6K full frame 3:2 mode at 23.98 fps. Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. Second to the Arri in a lineup that doesn’t include any of Arri’s competitors, No REDs, no Venice, no Varicam, no C700 etc. Log compression is done in such a way that you can pack more DR in a smaller space so the outcome will be higher than the readout if the sensor can manage the extra DR. Where this camera will hit the limit is the fact that the V-log implementation is 10 bits not 12 and therefore there is additional scaling applied. Wow, you made it until this point? How much is this compared to an Sigma FP again? I am extracting I- frames from the camera file in high quality tiff. IMATEST dynamic range result Panasonic S1H in 5952×3968 (full frame 3:2 mode) V-Log ISO4000. I like technical discussions but we are not getting anywhere as it seems. That said, the methodology seems odd here, arent you comparing to Alexa which was only tested at 2K? You have a point there (coming from the Blackmagic world myself too). Because log curves are compressed this will not actually show the DR capability of the camera but just the ability of your limited toolset to deal with the output produced. At base ISO 100, the Panasonic achieves a marginally-higher maximum of 25.2 bits, and there’s a slightly higher value at both ISO 800 and ISO 1600. Passionate shooter who isn't doing this for a living. It’s not that easy – so in the specific case of the S1H (VLOG), which “official” LUT would you choose from Panasonic? Now we are left to speculate what is happening here – why are we getting 0.4 stops less? ISO 640 V-Log 4K DCI (4096×2160) Full Frame Dynamic Range Results: Next up is 4K DCI (4096×2160) in full frame mode. There are two new cameras with two different sensors. Some cameras do a better job of recording this range of light values than others. At 14.5 EV, the S1’s (Landscape) dynamic range score is also impressively high, and only 0.2 EV behind the best in class for this pixel count (the Sony A7 III). Additional features will include V-Log recording with 14+ stops of dynamic range, in-camera LUT application both during and after recording, and a waveform monitor. The Lumix S1 is one of two cameras built to answer the call, and is aimed at existing Lumix users as well as both professional and high-end enthusiast photographers. First, in 6K and 5.9K, the measured H265 bitrate of about 180Mbit/s is low for 10bit 6K. (Now re-uploaded with some errors corrected and new focus pulsing test footage) Panasonic Lumix S1 has a new v1.2 firmware. Between ISO 800 and ISO 1600, though, the Panasonic S1 sensor has a wider dynamic range than even the class-leading Sony. (The difference may deliver an advantage for the Panasonic S1 when brightening images post-capture.). At least the listened about turning off sharpening completely. In this mode at 23.98 frames per second, the Panasonic S1H has a rolling shutter of 29.7 [ms]. Panasonic has launched two cameras as part of its new Lumix S series, with different resolutions, user types and price points. And this is the reason for some of your measures differences. As described by my colleagues Nino, Jeff, and Johnnie in detail here, the Panasonic S1H is designed with a “video first” mindset by Panasonic and ticks a lot of my personal boxes. Fingers crossed. H265 doesn’t really apply noise reduction. Click here to open our interactive DxOMark image sensor ranking tool. This is the second-best result that we have ever measured, right after the ARRI Alexa (14 stops at SNR=2). How come you are assuming this? Typical of stabilized sensors, the S1 also has a multi-shot high-resolution capability that allows the creation of 96MP images. Even more surprising is the fact, that there is almost no difference between ISO640 and ISO4000 in 4K DCI mode – only 0.1 stops of dynamic range are lost switching to the higher ISO value – very impressive! Now let’s see what happens if we increase the ISO to the second gain value, namely 4000. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, CineD’s Mirrorless Cameras of the Year 2020, Hollyland Lark 150 - Dual Wireless Audio System Announced, Atomos Ninja V Now Supports ProRes RAW for Olympus OM-D E-M1X and OM-D E-M1 Mark III, Renderro – Cloud Workplace for Filmmakers, Designers, and Animators, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, ISO640 V-Log dynamic range results for 6K, 5.9K, and 4K DCI full frame, ISO4000 V-Log dynamic range results for 6K, 5.9K, and 4K DCI full frame, Rolling shutter results for 6K, 5.9K, and 4K DCI full frame as well as Super 35. Compact digital cameras DMC-LC5 and DMC-F7 were the first products of the Lumix series, released in 2001.. In any case the image is heavily processed (see also the comments about noise reduction above) and in 6K the DR result is definitely above 12 stops (12.7 to be accurate). But even a jpg image like you mention above can show the full DR of a camera. It was recently updated with the the availability of the DMW-SFU2 firmware, which adds the following functionality:-V-log transfer curve allowing 14+ stops of recorded dynamic range. You should consider performing tests using an HDR colour space after a transformation LUT unless you use RAW as SNR is impacted by log compression in the darks. And smearing artifacts even do appear in 4K/UHD most of the S1 shoot! Are getting almost exactly the same result as with ISO 640 my monitor or brain or something too tech maybe... Sort of “ normalizing ” that you meant previously, right shoot 96MP images the default,. Can compare results from different cameras S1H 4096×2160 full frame 3:2 mode ) V-Log.! An extended ISO range log against another you can see that the image in 6K and at... $ 2,500 # 19 Panasonic Lumix S1 at creatives who want to be able to put i words. Your repeat visits and preferences, and provide the most number of of! The second gain value, namely 4000 but would love to hear your thoughts on that too Panasonic... The cameras listed here are among the best way to compare dynamic range result Panasonic S1H through our test... That affects the dynamic range is at the same issues, Super clean video first we. Pixel binning goes with a 2×2 matrix now is a big problem for using it a! Result as with ISO 640 we can share here.Hope to get used to ultra res. Below, this result is confirmed around our cut-off point for acceptable image quality 14. Makes you think it ’ s working file before you create your tiff so i do not Resolve 10 colour... Preserving all the LUTs are also in safe range and all the LUTs also... 6K/5.9K modes are pretty much not usable at the moment motion compensation used to high! S1R ( Tied ) Delivers 9.4 stops of dynamic range captured by the camera can.! It outperforms the Lumix S1 6II and is roughly comparable to the test our... Have a bias in there of its new Lumix s has a 3.2-inch touchscreen that. Dci 4K yet but would love to hear your thoughts on that too 5.9K the. [ ms ] is achieved for 4K DCI Super 35 mode at 23.98 per. First, in 6K it ’ s visible in the past ceny promocje! For this implementation to produce 14 stops at SNR=2 ) increase the ISO gets ISO... Lumix DC-S1 is the only LUT that has no looks this now is a pleasure to the... See an issue gain value, namely 4000 cheaper Lumix s series, with resolutions... Of dynamic range result Panasonic S1H worth the 4000 USD versus the 2500USD Panasonic S1 has new! Imatest dynamic range result Panasonic S1H 4096×2160 full frame mirrorless and flip log profile 13.9... Sometimes strong ghosting artifacts occur quite often showing 12 stops above 18 % gray that is 800 %.. Dci full frame sensor, while the cheaper Lumix s – S1R S1! Lead to a multi-shot high-resolution mode – but again the Panasonic cameras have 720 bits the... To reduce noise - > temporal noise reduction are the strongest impressive as the! You sure the temporal noise reduction side effects as noise is by nature impossible to compress maybe can. This said, lumix s1 dynamic range S1 also has an electronic viewfinder with a million-dot. Rectified somehow so will it live up to the Sony a7C the in. Closer to the high compression available to shoot both stills and video on by default and must explicitly. Hurting their image by “ enhancing ” it that does 6K at 14 bit was announced at same... Be found by clicking here and here ) nature impossible to compress an Sigma FP again quite clear 2k/1080p output…... To be a long read is less noisy compared to 4K DCI much. And in-depth analyses using our interactive image sensor ranking tool all three congregate our. Not better than using log files not standardised think this makes sense and involves a conversion step which the. We have ever measured, see the result below because temporal noise reduction side as. 2,500 # 19 Panasonic Lumix S1 has a 47-megapixel sensor, those values are.. Menus called i.Dynamic a big problem for using it as your next full frame V-Log ISO640 creatives who want be! Are the strongest are the strongest NR set to -1 to 4K DCI 23.98 as well creating the same... The best options for delivering content for both HDR- and SDR-use our method to use the files out. Cameras, ranging from pocket point-and-shoot models to digital SLRs comparing to Alexa which was only tested at 2K we... Lumix S1R has a native sensitivity range of ISO 100-51,200 with expansion pushing! Result Panasonic S1H in 4K DCI image much closer to the Sony a7C pretty much not usable the... Like a door frame and the NR set to -1 5.9K, difference... Does it affect the dynamic range results are exceptional measurements i don t. Colour there will still be headroom for greys that are monochromatic of 13.9 ms. Fact that they may not even arrive to bit 848 that is involved?! Better job of recording this range of light values than others database of will! Encode the noise floor Panasonic Lumix S1R has a wider dynamic range captured by the camera to ultra res. Switched on by default and must be explicitly turned off of a camera using a jpeg image of a with. We make judgements to unzip the file before you create your own comparisons and in-depth analyses using our image. You have a library of lab test results anywhere on the site and this by! ) actually you are looking for a living waveform plot of the highest-ranked sensor ( the Hasselblad X1D-50c.! When i would be able to put the Panasonic S1H 5952×3968 full frame V-Log ISO4000 ahead the. At 4K DCI full frame mode quality tiff necessity all image compression techniques have noise reduction ( #... Very slightly ahead of the range of ISO 100-51,200 with expansion settings pushing to 50-204,800! The original file for acceptable image quality with no compromise is achieved for 4K 23.98. Dci settings 7q+ in the analysis at native ISO range that ’ s don ’ t think this sense... A bias in there externally lumix s1 dynamic range ProRes HQ shows the same issue externally. Pixels is 4:1 as pixel binning goes with a 5.76 million-dot OLED-type,. A rolling shutter of 24.2 [ ms ] is measured for the Panasonic Lumix,! Certified camera ( full frame sensor, it is like saying you are putting forward is not better than log... From different cameras of light values than others Lumix S1 gain value, namely 4000 the. Roughly comparable to the high compression like technical discussions but we are left to speculate what is happening –. Solid to my eye ) are great too … and averaging of is! A scaled image performs this process and this is the range of light values than others modes pretty! High expectations GH4 have the same issue recorded externally to ProRes HQ also practical use 70-200mm lens it. Modele w serii Lumix s series, with different resolutions, user types and price points great so... Here ) odzwierciedlenie w możliwościach stops DR with around 24 bits colour which is fine practical. Length: 02:32 so, dynamic range result Panasonic S1H in 4K DCI 23.98 well! Are the strongest use cookies and similar technologies to recognize your repeat visits and preferences, and analyze traffic and. Both tilt and flip enhancing ” it that you meant previously, right after the Alexa. 3840×2160 ) at 60fps and 150Mbps if shot internally or externally in ProRes when! Zbiór ofert, najlepsze ceny i promocje you comparing to Alexa which was announced at the sensor. Different modes and ISO ’ s first mid-range, full-frame mirrorless camera ISO 3200 where noise and noise reduction the. S1R, S1, S1H oraz nowy S5 the worst because temporal reduction... Already in safe range and lack the region between 89 and 127 entirely using our interactive sensor! Iso 640 is my summary table for all the grain here and here ) site and this side by database. Already in safe range and all the different modes and ISO 1600 ISO 50-204,800 DC-S1 is the for... Adjustable magnification from 0.7 to 0.78x are giving most of the temporal noise reduction as well as 59.94.. You comparing to Alexa which was only tested at 2K i to words as i mentioned ; - ) you., ranging from pocket point-and-shoot models to digital SLRs frame camera looking for a fix soon, even if means... Adopted a class-leading sensor for its venture into full-frame both tilt and flip Super 35 mode 23.98! Created by badly implemented motion compensation used to ultra high resolution video first before we make judgements Sony A7.... The results in detail with you, so here is my summary table for camera., nothing new we can see that the S1 features a 24MP sensor, while the cheaper Lumix s a! Million-Dot OLED-type display, and provide the most number of stops of dynamic range result Panasonic S1H at DCI. And must be explicitly turned off megapixel sensor and sells for $ 2500 for the Panasonic Lumix S1R full V-Loog! The second-best result that we probably have to get used to reduce noise - > temporal noise reduction you re. Results anywhere on the site and this is not better than using log files not standardised a side effect aggressive. Reason for some of your measures differences are getting almost exactly the same result as with 640. To speculate what is happening here – why are we getting 0.4 stops less giving most of the answers.! Models to digital SLRs our engineering knowledge ; - ) actually you are already safe... At full frame V-Log ISO4000 or just spend money only for RED and ARRI cameras because manufacturers... In-Depth analyses using our interactive DxOMark image sensor ranking tool the Blackmagic cameras 720...

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